Almost home film review: Director/co-writer Nils Keller and co-writer Max Richert take us on a thought-provoking journey in their sci-fi short film, Almost Home. At its core, the film poses a profound question: Is life worth living, even when faced with the high risk of death?
The story revolves around Jakob (Jeremias Meyer) and his mother Nico (Susanne Wolff), who have been living aboard a spaceship for years. Nico’s relentless research led to a breakthrough that allowed Jakob, previously confined to a wheelchair on Earth, to walk and experience a semblance of a normal life. However, this new-found freedom comes with a price – they must endure the isolating and weightless existence of space. Now, after years of sacrifice, Jakob is eager to return to Earth and reunite with his friends and his father, Tom (Stephan Kampwirth).
But as is often the case in science fiction, even the simplest of plots become intricately complex. Just as their ship is about to dock, a deadly flu outbreak sweeps through, targeting those with compromised immune systems. Unfortunately, Jakob falls into this vulnerable category, and just as he begins to taste the sweetness of freedom, his mother insists on returning him to the safety of space.
Almost Home offers a compelling blend of science fiction and existential contemplation. Set in the not-so-distant future where scientific advancements push the boundaries of what it means to be human, the film explores the concept of a life worth living. Nico’s maternal instincts drive her to protect her son, even if it means confining him for his own safety. Tom, absent from his family’s space-bound journey, grapples with his inability to physically protect his loved ones. And at the center of it all, Jakob faces a pivotal decision – is the risk of death worth embracing a life that may be cut short?
The film’s production values are truly impressive. The meticulously crafted spaceship setting feels authentic, with intricate details that immerse viewers in its world. The narrative delves into the challenges of transitioning from weightlessness in space to the relentless gravity of Earth, particularly for Jakob, who never experienced walking during his formative years. The space animation is equally awe-inspiring, showcasing the filmmakers’ dedication and attention to detail.
Almost Home is a testament to the power of storytelling in science fiction. While the visual effects and Technology behind it enhance the overall experience, it is the thought-provoking narrative that takes center stage. The film challenges our perceptions of the human condition and prompts us to reflect on what truly gives life meaning. As we navigate through the complexities of the story, each viewer may come to their own interpretation, even if it diverges from the film’s ending.
In summary, Almost Home combines impressive filmmaking techniques with a heartfelt and intellectually stimulating storyline. It serves as a reminder that the plot should always take precedence, with technology serving to amplify its impact. Ultimately, the film leaves us pondering our own existence and raises timely questions about the resilience of the human spirit, even in the face of potential crises like pandemics.