The Miaz Brothers—Roberto and Renato, born in 1965 and 1968, respectively—have developed a popularity for his or her dynamic ongoing collaboration and distinctive model. Early on, the siblings made a aware effort to strategy life and their inventive observe holistically, forgoing a conventional profession path in favor of natural exploration and studying by way of lived experiences and experimentation.
This strategy has prolonged to the methods through which the artist duo displays their work; by the point of their first formal exhibition, on the Viafarini Gallery, Milan, in 1996, they’d already examined their varied installations in main nightclubs, drawn by the chance to interact with a wider, extra eclectic viewers. Their willingness to point out work in unconventional areas has led to quite a few model collaborations, and between 1996 and 2000 they labored with Adidas, Swatch, Piaggio, and Nike, to call a couple of.
Opening on November 25, 2022, the Miaz Brothers’ most up-to-date physique of labor will go on view within the exhibition “Don’t Look Now” at Maddox Gallery in London. The present options canvases based mostly on iconic work, equivalent to Sandro Botticelli’s Primavera (ca. 1477–82) and Jacques-Louis David’s Dying of Marat (1793). Impressed by nice artists and historic figures who carried on within the face of disaster, the core theme of the works and the present is hope.
We reached out to the brothers to speak about their working relationship, forthcoming exhibition, and inventive observe. Be sure to scroll by to the tip to see an unique sneak peek at works that shall be featured in “Don’t Look Now.”
Are you able to inform us about your path to change into artists? Have you ever all the time labored as a duo, or do you’ve gotten separate inventive practices as nicely?
We have now all the time labored collectively—for the reason that very starting. Our journey as artists started once we had been actually younger, and we each refused to proceed with the household enterprise of furnishings making. We sacrificed a “traditional” way of life and sense of stability in favor of a 30-year-long journey devoted to growing, enjoying, and inventive and philosophical analysis.
On the core of our inventive endeavor is our bond as brothers and mates; we by no means wished to do something that might take us away from that.
Hope is a pervasive theme of the exhibition “Don’t Look Now” at Maddox Gallery. What are some issues that impressed this physique of labor? Was it a selected thought or occasion?
It wasn’t a single occasion that impressed us to provide this present. As we went round through the years and had been fortunate sufficient to see a number of artwork exhibitions, we realized trauma and turmoil had been the themes that had been explored probably the most. We wished to current one thing that might shift the main focus to a way of aspiration and pleasure. Simply to change issues up.
The technical side of the works on view is kind of distinctive. Are you able to clarify how they had been made, and the way you arrived at this particular technique?
All of the works are made with acrylic colours and a sprig gun. We by no means contact the canvas with a brush or a pencil. To carry ahead a picture we rely totally on the molecules of paint, which behave very very like the atoms that make up matter, eternally in motion and in pressure.
This brings life into the portray, which strikes together with you as you observe them.
The works’ subject material was largely impressed by well-known portraits of well-known historic folks, like Leonardo da Vinci and Rembrandt. How did you select your topics?
We relied primarily on our artwork and historical past training, however we additionally realized loads by visiting collections of nationwide museums in Europe. It was very inspiring for us to know that many of the figures we’ve regarded as much as artistically managed to realize greatness of their craft throughout instances of absolute uncertainty. Conflict, pandemics, political turmoil, and dying had been the backdrop towards which all of those nice items had been made. We began understanding that there’s a flip aspect to disaster that could be very optimistic, and we wished to place that into focus.
What do you hope viewers of “Don’t Look Now” will take away with them? What would you like the expertise of viewing the work to be like?
What we felt as we had been placing the present collectively has been so assorted that we don’t have a single expertise that we hope the viewers can take away. So long as curiosity is sparked, we’re completely satisfied.
Are there any historic or modern artists which have influenced your work?
We love William Turner.
Collectively you’ve undertaken high-profile collaborations with manufacturers like Nike and Swatch and exhibited in nontraditional areas. Are you able to inform us about what is likely to be subsequent? Are there any concepts or challenges you’re hoping to interact with that you simply haven’t but?
Within the close to future, we plan to discover greater codecs on a extra summary degree.
Artists and brothers Roberto and Renato Miaz of their studio. Courtesy of Maddox Gallery. Photograph: Alun Callender.
See an unique choice of works from the forthcoming exhibition at Maddox Gallery under.
Miaz Brothers, What I Did, I Did For Love (2022). Courtesy of Maddox Gallery.
Miaz Brothers, Maestro (2022). Courtesy of Maddox Gallery.
Miaz Brothers, Pleasure Class and Magnificence (2022). Courtesy of Maddox Gallery.
Miaz Brothers, Amor Vincit Omnia (2022). Courtesy of Maddox Gallery.
Miaz Brothers, Earlier than the Storm (2022). Courtesy of Maddox Gallery.
“Don’t Look Now” is on view November 25, 2022, by January 15, 2023, at Maddox Gallery, 112 Westbourne Grove, London.
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